Yet here is a language beyond your tongue
Crippling crank-dips of lips semi-demolished-automatic
That the arch of your back cannot hoist into the twilight
Meaty grey matter-of-fact matter unmarred by the martyrdom of skins,
Every word a violation of kitschy-volatile sense of self
Here are the thoughts anchored extraneous
To the trajectory of your instinctual movement,
Booze bluesd in Billy Holiday oceanic rattling tones of cold and
Buried with the blow labs out in the snow
Here is sight beyond your eyes
Where the privacy personalizes each various technique
Of inhalation, exhalation
In, out
Binge, purge, and suck
An antho
Baby Icarus, scorched ecstatic,
Mouthed, within the confines of R-E-M,
That humanity is its own punishment of
Paradoxical investments and
Flytrap pussy; that
Sexual suicide sounding the
Inking shut of thighs is
Smoke signal for primal transference, like
Conquered impoverished hide made for some
Brand of
Lush fur of
The fear of
Self
Daylights deluded conviction moved in
Sheets of waves of glare, like a
Vinyl crime of hope where the
Scratched hook was we
Make the rules up as we
Go go
Figure, the
Fundamentals are
Funded by
Figment, and light of day
Never penetrates the human mind
But while wearily but
Helpless as clockwork, ghosts of groans still on the pillow
veins thick with fever
and you walk right through
muddied wings all in the paper shredder
sparkling dumb
tit-thick, glistening like spit, vogue sore
backing down to the mardi gras cemetery
where the tempest black still sucks at our blushing bones
theres that famine of lights,
saltwater splashing over rusted filaments
rocking from the bottom of your tomb tub
through you, and the walls, right to the doorframe,
like the house had nerves
the confusion of mute under siege
breath crawling over the seabed,
birds strung up by fishing wire
and all the kittens
in box
Theres the clap of rubbers pop-pop-popping,
The fuckers got her pregnant she says, turns out Im the
Other other woman
Well on my way to the weekly blackout, those
Rainbows bend right out of his
Jagged-toothed gaps and
Suddenly he wont be thrown out
One of us
Is just
Too damned excitable because
The couch keeps coughing up underwear
Assortments of flavors, designs, shapes, colors and sizes and
He is a non-refundable lie
Fib-fuck, how adorable, the prospect of being
Forever loved
Forever off the ground,
Being spun as though weightless
Crashing like the seconds sucked from bottles bottom
Right int
Hey there lover, let's away,
cross the border while what's-his-cripple
blows up chunks at high noon, are you
feeling lucky?
Why lay blame why not
just keep to making sure that
you and I are
real enough to do what real things do?
Cross your heart, hope to die,
show me how you'd screw a child,
hey there you, etch-a-sketch
fuck
No more sunlight
for the white-heart baby
g h o s t .
The Public School Catechism by SaintAnne, literature
Literature
The Public School Catechism
Stripping for them is the hardest part
Doctors, lovers and passers-by;
Ive been trained to hide beneath
The layers of clothes
So scars and unbathed months just
Disappear
No-love-baby
With hopes and eyes for nothing new,
Dont look down, just keep going
Homesick from the hospital
Fat folding thrice
Beneath the unshaved itch,
Maybe someday the shame will burn away
Maybe not l o v e i s f i c k l e
Sights seen feelings felt scents sniffed sounds heard and
Tastes tasted
What else is there?
By 28 Im folding
No more bonfires, balls of paper and rubberbands
So
Hey rubber band man
Your dream dies with
I wrote him a book
That he couldnt read
Said the ink grew wings
The shade of rusted Chevrolet
And crashed into his lungs
Like a molten vinyl wave
I sang him a song
That he couldnt hear
And my voice cracked
Like plaster, no
I didnt have a voice then
And the silence washed
Over the skin of dirt
Like sirens, no
He didnt hear
The ceiling leak like
The actress set on fire, no
Hes not made of
Soot like me, no
Hes not on like
Driftwood tonight
Synthesized and paralyzed in
Songs that make your dead cry ash, no
He wasnt really there.
Echoes in black and white
Train tracks and city lights
Midnight migraines and purple shades
Im deafened by the scent again
Of gods aftershave,
Blinded by the taste of
Afterbirth
When I found out that
Pens and gravity
Dont work in my favour
I damn near cried
Well
I can read but
I cant write
The pseudo-sweetener
Coating broken cheers
And bitter closet-wielding double dares
And when I found
You
In the mirror
My reflection, supine beneath
Your head turned away
I damn near cried.
Well
I can fuck but
Im empty inside
Hollowed out by
Precious cinder blocks
Tied down like dreams
Your perfu
Independent films, Dark comedy, Psychological thrillers
Favourite Bands / Musical Artists
Indian Folk Metal
Tools of the Trade
Canon Rebel Xti
Other Interests
Filmmaking
Post Spotlight
The Anne Lamott Guide (to creativity) by SaintAnne, journal
The Anne Lamott Guide (to creativity)
Shitty first drafts. All good writers write them. This is how they end up with good second drafts and terrific third drafts. Writing is not just jotting ideas down on paper. Writing is about discovery. You get your intuition back when you make space for it, when you stop the chattering of the rational mind. The most important thing about writing is sitting down and doing it every day, and the most important thing about life is just showing up and trying your best to be present every day. A writer paradoxically seeks the truth and tells lies every step of the way. Writing is about hypnotizing yourself into believing in yourself, getting some work done, then unhypnotizing yourself and going over the material coldly. I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Good writing is about telling the truth. We are a species that needs and wants to